Since August 2012, a new, exotic branch has been added to the list of micro-43 lenses and is now sparsely available: the Tokina 300 mm f/6.3 Macro MF. The design of this super-telephoto lens is unique within the line-up of micro-43 lenses. The lens system consists not only of lenses, but also of two mirrors. A major advantage of this design is the short length and low weight. Strictly speaking, this is not a macro lens, because there is no 1:1 imaging ratio realized. But a focal length of 600 mm (converted to a full-frame sensor), in combination with a minimum focusing distance of 80 cm, makes you get your subjects spectacularly (1:2) close.
Tokina 300 mm f/6.3 MF Macro, jpg
Tokina 300mm f/6.3 MF Macro, jpg
Mirror lenses are used for some time in photography. Nikon was the first in the late fifties with the Nikkor mm/6.3 1000, a lens of less than 10 kg. In the late seventies of the last century, suddenly several brands offered a 500 mm mirror lens. These 500 mm mirror lenses were relatively cheap compared to ordinary lenses with comparable focal lengths. Shooting with a mirror lens delivers images with lower contrast. This is a consequence of the design. When shooting with a long focal length, contrast is also often further reduced by water vapor in the air. Standard jpg files shot with the Tokina 300 mm mirror lens are often soft. Click the right image for a detail from the jpg image.
By shooting in RAW and increasing the contrast and sharpness afterwards, you can enhance the impression of sharpness in your images. Except for 3 images, which include both images above, all images in this test of the Tokina 300 mm are processed RAW files. Click the left jpg image for larger version of the same image, but as processed RAW, for comparison with the standard jpg file.
Construction and manual focus
The finish of the Tokina 300 mm is very nice. The Tokina is a 300 mm lens without autofocus. Fortunately, the focus ring works very well and has good tactile resistance. In the electronic viewfinder of the test camera, an Olympus OM-D E-M5, the image can be magnified 14 times to increase focussing accuracy. Note that you'll need more time for manual focus in comparison with autofocus, which makes this lens less suitable for moving objects.
You can reverse the hood on the lens place for transport. To take the hood off, you have to turn the focus ring all the way through to infinity before the hood releases. Handy is different.
Click image for larger version or click here for a 100% crop.
The Tokina 300 mm for micro-43 has no built-in image stabilization. Because image stabilization correct for lenses with long focal length offers many advantages, you may initially think that this lens a better fit for an Olympus camera (with image stabilization built into the camera) or a Panasonic camera. In practice you will get the Tokina 300 mm is almost always use a tripod, image stabilization so you will not miss. Tokina 300mm MF-produkt3
We are in practice no image images encountered where waste disturbing light present. The measured vignetting was 0.8%. In some situations, with a smooth blue sky as shown, you can see the vignetting. This is possibly subsequent software to correct, if you wish.
One of the features of a mirror lens is that you can not aperture. In an ordinary lens can reduce the waste light to continue aperture. This can be, in this case, therefore, does not. And because you can not aperture so you can not change the depth. Move your mouse over the image for the chart with Imatest results.
In practice we have no images distortion seen. The Imatest measurement showed that the Tokina 300 mm lens has a cushion-shaped distortion of approximately 0.8%. Such a low-distortion falls in most of the images is not on. Disturb you anyway then this simple software to correct distortion.
Mirror lenses have a very characteristic bokeh, because of the circular character. This is also referred to as "donut-bokeh". Below is a image of a hedge. If you then focus a little closer, every leaf is functioning as a light source, which is a totally different character to the image display. In some shots operate all those circles in the background distracting, but it also opens up artistic possibilities.
Move your mouse over the image for a larger part of the donut bokeh.
With a built-in mirror and 9 lens elements in 3 groups should not expect to flare completely excluded. A lens hood is included as standard, which you can partially prevent ghosting. You may, however, a slight flare straight face when shooting against a bright light source. Here you see some increase in the uptake of stadium lights above in the section that you've seen vignetting.
Resolution Tokina 300 mm
The sharpness and contrast of images taken with the Tokina 300 mm mirror lens is limited. It's visible lower than the acuity of more expensive air lenses, such as the Panasonic 100-300 mm and Olympus 75-300 mm.
Click the right image for a comparison of a 100% image area of a jpg file with the Tokina 300 mm and the Olympus 75-300 mm by 300 mm and aperture ~ f/6.5.
Shooting with a lens with a focal length of 600 mm (converted to a full-frame sensor) is not easy. Focusing should be done very carefully. Handheld shots with such a lens usually lead to disappointing results. You justmust use a tripod. But even then you should keep in mind that you'll need very clear weather to create sharp images taken from a large distance. And at a short distance, the depth of field is so very small that your topic with the slightest movement becomes out of focus.
The sharpness of the edges is exactly equal to the sharpness in the corners. The sharpness in the corners is measurably lower than in the center, but the difference is so small that you do not already see with the naked eye. By increasing the contrast and extra sharpening to apply the sharpness impression improve, but the end result remains on what to do with the Panasonic or Olympus 75-300 mm 100-300 mm can achieve. Click the right image for a larger version or click here for an edited down version of the RAW file.
Click image for larger version or click here for a 16 megapixel version of this cormorant.
Chromatic aberration Tokina 300 mm
Absence of chromatic aberration is one of the strengths of mirror lenses. At this point, the Tokina 300 mm mirror lens scores very well. Even with magnification up to 100% there will be no visible chromatic aberration in the corners of the image.
WYSIWYG score: This table shows the performance of this lens when you store the files in the camera as jpg, with all available in-camera lens corrections applied. This score gives you for this lens/test camera combination: "What you see is what you get".
Compact, light and beautifully finished
Very long focal length for a low price
No visible chromatic aberration, even at high magnification
Limited distortion (0.8% pincushion), vignetting (0.8%) and flare
Sharpness at the edges equivalent to sharpness in the center
Fixed aperture, depth of field will not change
No built-in image stabilization
One of the advantages of micro-43 cameras is the size of the lenses. The lenses are light and compact. This is especially true for lenses with longer focal lengths. Opponents of the micro-43 system, point out that telephoto lenses are too large for these tiny cameras. Tokina now offers a super-telephoto lens which is less than 7 cm long and has a focal length of 600 mm (converted to a full-frame sensor).
The limited resolution, the lack of autofocus and the presence of donut bokeh are the main disadvantages of the Tokina 300 mm. On these points, the more expensive Panasonic 100-300 mm or Olympus 75-300 mm are superior. The sharpness and contrast of images taken with the Tokina 300 mm super-telephoto lens must be improved in post-production, if you want to make a print. All other optical properties; vignetting, distortion, flare and chromatic aberration, are all fine. The very nice finish, nice grip, compact dimensions, low weight and low price of the Tokina 300 mm are attractive points of this first Tokina lens for micro-43.
Author: Ivo Freriks
With Camera Review Stuff I hope to make a modest contribution to the pleasure that you get from photography. By testing cameras and lenses in the same way, evluating the results and weighing up the pros and cons, I hope to help you find the right camera or lens.
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