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Review Canon EF 24-105mm f/3.5-5.6 IS STM

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s2smodern

The Canon EF 24-105mm f/3.5-5.6 IS STM is a good, attractively priced all-round zoom lens for the full-frame EOS cameras. It is light and compact, and, with a range from reasonable wide-angle to medium-telephoto, you can handle a lot of subjects.

 MG 3657

All-round zoom: Canon EF 24-105mm f/3.5-5.6 IS STM

Owners of a full-frame Canon camera who were looking for a standard zoom lens with a limited budget did not have it easy until recently. The obvious standard zoom was of course the 24-105 mm f4L IS USM. But for those for whom that was a bit too expensive, Canon has filled the gap with a new zoom lens, the EF 24-105 mm f/3.5-5.6 IS STM. The zoom range, from 24mm wide-angle to 105mm telephoto, is very popular. From landscape to portrait, with this lens you can tackle a lot of subjects. The lens also has modern image stabilization that is much better than the stabilization of the 28-135 mm and an STM motor that is very suitable for video in combination with the Dual Pixel AF of, for example, the EOS 6D Mark II.

 

BUILD

EOS 6D Mark II EF24 105mm STM FSL

The Canon EF 24-105 mm f/3.5-5.6 IS STM is a relatively light lens. At 525 grams, it is 260 grams lighter than the 24-105 mm f/4L IS USM II. That is not due to the number of lens elements. That is the same for both. The construction is different. For the 24-105 mm f/3.5-5.6 IS STM, a lot of plastic is used, and the lens is not extra-well protected against moisture. The lens is well put together, with little play and smooth zoom and focus rings. The aperture consists of 7 blades. That produces slightly less round bokeh balls than when you have a nine-bladed aperture. It is an odd number, so that you get stars with 14 points if you have small, bright light sources in frame with a small aperture. The lens has switches for autofocus/manual focus and for image stabilization, but no window that indicates the set focus distance.

autofocus

Canon also uses Dual Pixel AF in full-frame cameras. Thanks to this technology, the cameras have phase detection autofocus on the sensor. The advantage is that you can focus quickly and precisely in live view. You have the most benefit from this technique with lenses with STM drive. On APS-C cameras with Dual Pixel AF, we have noticed that with STM lenses you can very nicely shift the focus from one point to another by simply touching another spot on the screen. The focus then slides smoothly without searching for the next focus point. That's why it's strange that the 24-105 mm f/3.5-5.6 IS STM was only the second lens for full-frame with STM. The 40mm f/2.8 pancake was the first. For taking pictures, STM is a bit slower than USM, but the difference is not great. The 24-105 mm f/3.5-5.6 IS STM is quick to focus in practice. The STM engine is a fraction quieter than the USM motor, and the accuracy turned out to be higher during our laboratory tests than with the 24-105 mm with USM motor. The biggest trump card of this lens is its ability to follow subjects almost perfectly during filming in Movie Servo AF, thanks to that STM motor. Those who want to film a lot do well to put this lens high on their wish lists for that reason alone.

Specifications
Canon EF 24-105 mm f/3.5-5.6 IS STM
Price @ Amazon
Image Stabilization:+
lenses/ groups:13/17
length x diameter:104 / 83
filter size:77
Weight:525
Lens hood:+

VIGNETTING, FLARE AND DISTORTION

RAWvignet

 MG 8437 met exif

The image quality of the 24-105mm f/3.5-5.6 IS STM is pretty good, but not perfect. That also applies for actually all other 24-105mm lenses. The sharpness in the center is generally good, with a gradient towards the corners at full aperture. The lens scores better in the wide-angle mode than in the telephoto mode. What you can experience in practice is that the lens suffers from image field curvature. The focal plane is therefore not flat, but a bit convex. If you focus on a flat surface in the middle, the corners will blur out considerably. You can also see that when you focus on subjects that are very close. You will then get a sharp hotspot with a blurry circle around it, unless your subject happens to nicely follow the focal plane. The 24-105 mm f/3.5-5.6 IS STM also has some chromatic aberration, and you can see that in telephoto even more than in the wide-angle mode. Distortion is also present, with clearly perceptible barrel-shaped distortion in the wide-angle mode that runs, through neutral, to clearly pincushion-shaped somewhere between 35 and 50mm. In the wide-angle mode, a good deal of vignetting is also visible at 24 and 28 mm, as well as at 105 mm at full aperture. Of course, lens corrections, both in the camera and in post-editing, can eliminate vignetting, distortion and a large part of the aberrations, and that makes a huge difference. In practice, this lens delivers beautifully sharp images that are not inferior to those from the more expensive L lenses.

Resolutie

 MG 8451 met exif

 

  • Praktijkopnames Canon EF 24-105mm STM

    Praktijkopnames Canon EF 24-105mm STM

    Klik hier

Distort24105STM

IMAGE STABILIZATION

IS24105STM
Image stabilization - between the image stabilization of the 28-135 mm and this 24-105 mm f/3.5-5.6 IS STM - has undergone more than ten years' development, and that is clearly noticeable. The stabilization is good for a four-stop difference. It works nice and silently, and that is an extra bonus when filming. There are only two positions on the slider on the lens for image stabilization: On and Off. Fortunately, this lens itself notices when it is on a tripod and when you are following a subject with it. Then the stabilization only works in one direction and does not work against the panning.

 MG 8612 met exif

CONCLUSION: REVIEW Canon EF 24-105mm f/3.5-5.6 IS STM

Use the Lens Comparison or look in our list of reviewed lenses tocompare this lens with other lenses.

WYSIWYG score: This table shows the performance of this lens if you save the files in the camera as jpg, with all available in-camera lens corrections applied. This score gives you for this lens/test camera combination: "What you see is what you get".


Focal Length
mm @ FF
Total score
Resolution
lat. C.A.
Vignetting
Distortion
AF accur.
AF speed

105
105
8.6
8.7
9.8
8.7
6.1
9
8
24
24
8.3
8.4
9.6
8.2
5.6
9
8
28
28
8.8
8.7
9.9
8.6
6.9
9
8
35
35
8.4
7.8
9.8
8.9
8.9
9
8
50
50
7.8
7.4
9.5
9.3
7.0
9
8
85
85
7.9
7.6
9.8
9.5
6.3
9
8
Overall
Overall
8.2
8.1
9.8
8.9
6.2
9
8

Pure RAW score:  This table shows the performance of this lens if the file is stored in the camera in RAW format. This score approaches the intrinsic quality of the combination of lens and test camera. If you use lens correction profiles in Photoshop or Lightroom to convert RAW files, then the RAW scores for distortion, vignetting and chromatic aberration are even better.


Focal Length
mm @ FF
Total score
Resolution
lat. C.A.
Vignetting
Distortion
AF accur.
AF speed

105
105
7.8
8.0
8.7
9.2
6.2
9
8
24
24
8.6
9.1
8.2
8.9
5.5
9
8
28
28
8.5
8.5
8.4
9.2
7.4
9
8
35
35
8.9
8.7
8.5
9.3
9.0
9
8
50
50
8.0
8.3
8.0
9.5
6.1
9
8
85
85
8.0
8.2
8.5
9.7
6.7
9
8
Overall
Overall
8.1
8.4
8.4
9.3
6.4
9
8

PROS

  • Great/versatile zoom range
  • Image stabilization
  • STM motor for video
  • Light
  • Price

CONS

  • Not dust- and moisture-proof
  • Light construction (compared to 24-105mm L versions)

Canon EF 24-105mm f/3.5-5.6 IS STM is a light and compact standard zoom for Canon full-frame cameras.

The image quality is good, and the STM motor works very well. That motor is a must-have for photographers who also like to film with their EOS 6D Mark II or EOS 5D Mark IV. And in combination with the 6D Mark II, this is also an ideal combination for photographers who want a light full-frame set from Canon for travel or documentary photography.

Jan Paul Mioulet
Author: Jan Paul MiouletWebsite: https://www.mioulet.nl/
Jan Paul Mioulet is zelfstandig fotograaf sinds 1994. Hij heeft zich beziggehouden met veel vormen van fotografie, van portret tot sport, van bruidsfotografie tot reclamewerk. Inmiddels is hij al bijna vijftien jaar gespecialiseerd in architectuurfotografie. Hij is een van de oprichters van DAPh, de Dutch Architectural Photographers, een collectief van een aantal van de beste Nederlandse architectuurfotografen. Van 2010 tot 2014 was hij hoofdredacteur van PF, Professionele Fotografie, het magazine voor de Nederlandse en Vlaamse vakfotograaf. Naast zijn fotografie schrijft hij voor PF en CameraStuffReview over techniek en allerlei bijzondere wetenswaardigheden rondom fotografie en camera’s.

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