Review Nikon 10-30mm f/3.5 – 5.6 VR (CX)
At the end of September 2011, Nikon introduced a new product group: mirrorless cameras with interchangeable lenses. Nikon calls this type of cameras "Advanced Camera with Interchangeable Lens" (ACIL). With the Nikon 1 product group, Nikon aims at users who want more than a compact camera, but who find an SLR is too big, too heavy or too complicated. Nikon's strategy differs from that of, for example, Sony or Panasonic who certainly see their MILC cameras ("Mirrorless Interchangeable Lens Camera") as an alternative to an SLR.
NIKON 10-30mm f/3.5 – 5.6 VR, 10 mm, f/3.5, 1/800
NIKON 10-30mm f/3.5 – 5.6 VR, 30 mm, f/5.6, 1/60
The Nikon 10-30 has a 3x zoom range, equivalent to a 28-80 zoom lens on a camera with a full-frame sensor.
Construction and autofocus Nikon 10-30 mm
The Nikon 10-30 is very well built, as you would expect from Nikon. The lens is folded for transport by pressing the switch on the lens, after which you can run more than 10 mm. If you push the button and expand the lens before use, the camera is automatically turned on. If you do not, the camera warns you to expand the lens first. After which the camera is much less compact, because the lens nearly doubles its length (as you can see on the right).
The Nikon 10-30 has a hybrid autofocus. Searching in low light or low contrast happens nevertheless. The phase AF is used to focus quickly and the contrast AF is for example used when making a video. The Nikon 10-30 decides for itself which AF is used. You as the user cannot influence this. The AF drive is fast and - for a photographer - very quiet. For a videographer, Nikon offers a 10-100 Nikon power zoom, which is supposed to be really quiet.
Image stabilization Nikon 10-30 mm
|We have tested the image stabilization at a focal length of 30 mm (80 mm @ full-frame). For the average photographer, without the use of a tripod, a minimum shutter speed of 1 / 100 seconds is needed for you to take sharp pictures. An experienced photographer scores about 2 stops better. |
In our test, the Nikon 10-30 got less impressive results with the image stabilization than the Nikon 30-110. Fortunately, it is not the other way around, because on a telephoto zoom image stabilization is needed more.
Vignetting Nikon 10-30 mm
The Nikon 10-30 shows low vignetting already from full aperture throughout the zoom range. Nikon corrects the jpg files for vignetting: the vignetting of a jpg file is 0.75 stops at 10 mm and full aperture for a jpg file and 1.15 stops for a RAW file. The following picture shows the effect of the in-camera vignetting correction. Here, the light transmission through the lens is plotted along the diagonal of the sensor from the top left to the bottom right. The corrected file (below) does not only have less vignetting in the outer corners, as is clearly shown by the much flatter top than the uncorrected file (above). Only at 10 mm, in practice, light vignetting – less than one stop – can be seen especially in the outer corners at apertures larger than 5.6. See the extreme corners of the photograph at the right.
Hold your mouse over the air to see the Imatest measurements for vignetting of the Nikon 10-30.
At 10 mm, a strong barrel distortion is present. At the higher focal lengths, there is little distortion. Too bad Nikon failed to fully correct the distortion. Precisely the target group of the Nikon 1 series will not be eager to correct distortion with software.
Compared with a compact camera, the Nikon V1 has a larger sensor of a minimum of 4 times, so you get less depth of field than with a compact camera. Compared to an SLR with a full-frame sensor, the Nikon CX sensor is, however, much smaller, which results in a relatively greater depth of field. Do not expect miracles from the Nikon 10-30 in terms of Bokeh compared to an SLR. You will then see rings in the Bokeh circles, as you can see in this example.
Hold your mouse over the image for a 100 % image cropping with Bokeh.
When testing the lens on flare in practice, the Nikon 10-30 showed little flare or ghosting.
At very high contrast (i.e. with very strong backlight, as the sun shining directly into the lens), the sensor shows a little blooming/purple fringing. This is no chromatic aberration. Chromatic aberration becomes more visible at the corners of the sensor and appears not at the center. The purple spots effect can happen anywhere on the sensor where a bright light is directed at the sensor.
If you compare the resolution of the Nikon 10-30 to the lenses on SLRs with an APS-C sensor, this lens performs average. And that is no small achievement for such a little and cheap lens on a 10 megapixel camera. The highest resolution is already achieved at full aperture, to decrease above aperture 5.6 due to diffraction. In all cases, the resolution in the center remains higher than in the corners. Below is a zoomed image cropping of 25% of a RAW image, taken with the Nikon 10-30.
Click on the graph to see the with Imatest measured chromatic aberration at the other focal lengths.
NIKKOR 10-30mm f/3.5 – 5.6 VR @ 10 mm, NIKON V1, 400 ISO, f/3.5, 1/640 s
Click on this photo of fireworks debris to get an impression of the resolution of this RAW file at 100%.
|The chromatic aberration of the Nikon 10-30 is low in jpg files. This applies to all focal lengths. Based on the measurements, you may expect just visible chromatic aberration in extreme situations at a focal length of 10 mm. In practice, we have not come across any visible chromatic aberration. |
On the right is a 100% image crop of bare branches against a bright sky. The 100% image crop is taken from the outer edge of an image taken at 10 mm and maximum aperture. There is no noticeable chromatic aberration.
Camera manufacturers increasingly move towards correcting distortion and aberrations in the camera instead of doing this during the design of the lens. This has the advantage that a cheaper lens will perform better.
With the V1, Nikon has chosen for correcting chromatic aberration and vignetting. The correction of vignetting is already discussed above. On the right, you see the Imatest measurements for chromatic aberration of an uncorrected RAW file. This is the "worst case" by the way, because at longer focal lengths, the chromatic aberration is less than 0.1% in the uncorrected RAW files. For in-camera distortion correction, we have no evidence. The uncorrected RAW files and the JPG files showed an equal amount of distortion.
Conclusion Nikon 10-30mm f/3.5 – 5.6 VR review
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