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Review Nikon 70-200mm f/2.8E @ FX

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The new AF-S NIKKOR 70-200mm f/2.8E FL ED VR is the third generation 70-200mm zoom with image stabilization. The previous lens was already very good, but is currently 8 years old. The new AF-S NIKKOR 70-200mm f/2.8 shows that lenses can always improve.

Fast, sharp, and even better: AF-S NIKKOR 70-200MM F/2.8E FL ED VR

A 70-200mm f/2.8 telephoto zoom is a very popular lens for both professionals and hobbyists. The high brightness is ideal for shots in low light. Think about theater performances or sports photography indoors. The large aperture is also very well suited for getting a beautiful background blur, for example in nature shots or portraits. It is thus not that crazy that Nikon regularly updates such a popular lens to stay a step ahead of the competition. They succeeded in that with this third generation. The lens is smaller and lighter. It is—especially in the corners—also visibly sharper at practically all focal lengths and focuses sharply up close.

Build and auto focus

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The diameter of the AF-S NIKKOR 70-200MM F/2.8E FL ED VR is constant over nearly the entire length of the lens. That means the lens looks quite nice. The previous model had a stepped design, so that it looked a bit more like it was put together out of separate pieces. The nice appearance is mirrored in the build of the lens. It not only looks like it is built out of a single piece, it feels that way, too. The focus ring and the zoom ring have switched places, relative to the previous model. The zoom ring is now at the front. Whether that works better is a very personal matter. For people who want to operate their equipment intuitively and have been working with the previous model for a long time already, it will take some getting used to. At 203mm, the lens is more than half a centimeter shorter than the previous model and more than centimeter shorter than the first generation 70-200mm f/2.8 with VR. The lens is made of a magnesium alloy, and at 1430 grams is also 120 grams lighter than its predecessor. That is a plus. The lens is of course well protected against dust and moisture, and both the front and back elements are treated with extra fluorine coatings, so that grease and dirt hardly stick, and the glass can be cleaned easily. Nikon’s famous Nano Crystal Coating minimizes glitter in back-lit shots. The lens has nine rounded aperture lamellae, which gives a beautifully soft blur at full aperture. The filter size, fortunately, is still 77mm.

Specifications
Nikon 70-200mm f/2.8E FL ED VR
Image Stabilization:+
lenses/ groups:22 / 18
length x diameter:203 / 89
filter size:77
Weight:1430
Lens hood:+

Closer

Telephoto lenses like this 70-200 f/2.8 are naturally not only used for subjects that are far away, but also for close ups. The smaller the shortest distance setting, the closer you can get for a portrait. Where with some 70-200mm zooms you can only make head-and-shoulder portraits, with the new Nikkor 70-200mm you can make tighter frames. The first generation 70-200mm with VR still had a minimum distance setting of 1.50 meters. The second could not get closer than 1.40 meters. The new Nikkor 70-200 f/2.8 can focus from just 1.10 meters. A beautiful, close portrait of just the face, where all the emphasis is on the eyes, is thus possible without having to crop afterwards.

Improved VR

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The vibration reduction, or VR, as Nikon calls their image stabilization, is supposed to be good for four stops. The same value was also given for the previous model. Even so, Nikon has made strides in VR as well. Where VR systems with older lenses were switched off for photography at fast shutter speeds, there is a special sport mode on the new lens. This works when following subjects, but also ensures that the viewfinder image remains quiet by minimizing vibrations. That’s good when you are working at 200mm and every movement of your hands is amplified by a factor of four. The unique thing about the sport mode is that the camera continues to react just as fast when the VR is not on. That is thus a clear win-win situation.

Image quality

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The AF-S NIKKOR 70-200MM F/2.8E FL ED VR scores very high values in our lab. We are accustomed to that now from modern zoom lenses, but what stands out is that the scores are very even. We tested the lens on a Nikon D810 with 36 megapixels. The corners are nearly as good as the center, and that is unique. With lenses that are not so good, you often see a big difference between the corners and the center when working with a lot of pixels. That is thus not the case on this new 70-200mm NIKKOR. A small difference can be seen in the performance at the shortest and longest zoom settings. In the range of 70mm to 90mm, the lens scores the highest, and at 200mm, not quite as well. Stopping down produces a small increase in sharpness, but even at full aperture the lens is already very good. Vignetting is fairly minimal. Only at 200mm at full aperture is it somewhat visible, but even that disappears after stopping down one stop. Where zoom lenses are still outdone in comparison with fixed focal lengths is the distortion. At 70mm, that is nearly 1% barrel-shaped, and from 80mm the distortion slowly becomes pincushion shaped up to about 1.5% at 200mm. This is of course easy to correct in post editing, but you do have to take into account when cropping that you lose some of the image. The Nano Crystal Coating does its job and suppresses flare quite well, although you can occasionally see a light fleck in backlighting.

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Conclusion: Review of AF-S NIKKOR 70-200MM F/2.8E FL ED VR

Use the Lens Comparison or look in our list of reviewed lenses to compare this lens with other lenses..

WYSIWYG score: This table shows the performance of this lens if you save the files in the camera as jpg, where you have applied all available in-camera lens corrections. This score gives you for this lens/test camera combination: "What you see is what you get".

 


Focal Length
mm @ FF
Total score
Resolution
lat. C.A.
Vignetting
Distortion
AF accur.
AF speed

135
135
8.8
8.6
9.8
7.5
6.1
9
200
200
8.5
8.5
9.9
6.0
5.8
9
70
70
8.9
8.6
9.6
8.5
6.9
9
85
85
9.1
8.6
9.7
8.6
7.6
9
Overall
Overall
8.9
8.6
9.7
7.8
6.4
9

Pure RAW score: This table shows the performance of this lens if the file is stored in the camera in RAW format. This score approaches the intrinsic quality of the combination of lens and test camera. If you use lens correction profiles in Photoshop or Lightroom to convert RAW files, then the RAW scores for distortion, vignetting and chromatic aberration are even better.

 


Focal Length
mm @ FF
Total score
Resolution
lat. C.A.
Vignetting
Distortion
AF accur.
AF speed

135
135
9.0
9.3
9.1
8.1
6.5
9
200
200
8.4
8.8
9.3
5.5
6.1
9
70
70
9.4
9.3
9.1
8.0
8.7
9
85
85
9.4
9.4
9.3
8.3
8.0
9
Overall
Overall
8.9
9.1
9.2
8.0
7.0
9

Pros

  • High image quality out to the corners
  • High brightness
  • Good image stabilization
  • Solid build

Cons

  • High price
  • Big
  • Heavy (but lighter than the previous model)

NIKKOR 70-200MM F/2.8E FL ED VR even better than the NIKKOR 70-200MM F/2.8 VR II

It is great that Nikon has again seen the opportunity with the AF-S NIKKOR 70-200MM F/2.8E FL ED VR to make a zoom lens in this focal range even better. Nikon has been making lenses with this range for half a century, and the NIKKOR 80-200 f/4.0 was the best zoom lens available in the 1980s. The new NIKKOR 70-200 f/2.8 has uniquely high sharpness that is distributed very evenly across the whole picture. It is clearly a lens that is completely prepared for sensors with even higher resolution than the best available today. The price of this lens is high, but you are also buying an investment for the future.

Ivo Freriks
Author: Ivo Freriks
With Camera Review Stuff I hope to make a modest contribution to the pleasure that you get from photography. By testing cameras and lenses in the same way, evluating the results and weighing up the pros and cons, I hope to help you find the right camera or lens.

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